Yuan Zongnan: Lights are not architecture-based and people-oriented

Yuan Zongnan: Lighting is not architecture-based and people-oriented On May 25th, the fifth session of the Sixth International Conference on Light and Shadow Space was held at the Auditorium, Block E, Beijing Architectural Design Institute. At the meeting, Yuan Zongnan, the chief designer of Yuan Zongnan Design Office in Taiwan, shared his thoughts on the 2012 Frankfurt Germany exhibition and the elaboration of classic cases.

Lights are not architecture-based and people-oriented

At the beginning of the summit, Yuan Zongnan introduced the theme of the speech with a film, the crisis of the earth. Facing the current environmental pollution machine, how can we prevent this from happening in humans? How do lamps and lanterns do? He introduced that, in 1987, the Kyoto trainway used the lamp tube T12, and after the impact on the world was broken, mercury was divided. Pollution, coupled with the lack of electricity in Japan after March 11, and the LED technology is not yet mature.

“We often do a lot of design, and it turns out that it pollutes a lot of light. What results?” He shared a design of the building. The basement of the building is an exhibition hall. The first floor is made of modern scientific materials. Into the simple concept. There were no lights at night, just like candles. The samurai's home, on the other hand, spills natural light during the day to save power.

In addition, he also explained the design of a curved tunnel. “The lights in this tunnel only light the building, but they ignore the fact that people have to go to the left. If they are dazzling, they will not be people-oriented.” In Yuan Zongnan’s eyes, the light is not based on architecture, but rather people-oriented. The tunnel is for people, not for buildings.

Landscape lighting and physical integration

Yuan Zongnan also shared a case of cooperation in Shanghai. This project integrates the views of China's framing, planting plants in the interior, water in the landscape, and ventilation. In particular, the use of natural wind, the brazier moves on the wind, the water in the pool flutters, and the LED lights are decorated. It is quite rhythmic. The light bulb shines upwards, the spotlight reflects on the table, and the landscape lighting is combined with the physical object. The interior is the element of the Song Dynasty, and the Song dynasty emphasizes light weight. Therefore, the writing brush is very important. When the pen is used indoors, the aesthetics can be achieved by illuminating the pen. The lamp uses a 3W amber LED and consumes much less power than a 20W halogen lamp. He reminded not to use white fluorescent lamps, or even LED white light, because the wine cellar usually has a red light.

Comprehending the 2012 Frankfurt show: Emphasizing the combination of light and lighting

He just came back from the exhibition in Frankfurt, Germany, and he realized that the 2012 Frankfurt show emphasizes the combination of light and lighting. The style emphasizes simple style. The combination of lighting factor and interior architecture will be a new trend this year, and it will be used in the design and application center of Philips. A lot of references to this style. “When it was late in the evening, the LED next to it lit up, supplementing the lack of natural light, so in the evening and during the day, the daytime and the cloudy days have different atmospheres,” he described.

“At the bar, a relatively yellowish light source was used to set off the chrysanthemum, and the chrysanthemum did not fade in the seven-day exhibition period. It was expressed in this way, filled with many people, eating, drinking, drinking and talking about business. However, our China showroom can not wait to put all the It is my new experience to show off the lights, and it is just that the Guangzhou International Lighting Fair is about to begin. I find that the Guangzhou Exhibition is different from the Frankfurt Exhibition. The Guangzhou Exhibition emphasizes the application of lamps and lanterns. They stress too much art, if the two are balanced Even better, the lighting designer should pay attention to this point and whether the lighting can be combined with the building to reflect the beauty of the building.

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