The stage lighting is an important part of the performance space composition. It is based on the development of the plot to carry out the lighting design of the visual environment for the characters and the specific scenes required, and has the purpose to reproduce the design intent to the audience in a visual way. Artistic creation. The spatial shape of the characters and plots should be considered comprehensively and systematically, and the modeling rules should be strictly followed, and the modeling methods should be used.
These include:
First, the image characters and creative descriptions needed to shape the performance scene
A) Description of external image--primary light source, ambient light, contour backlight B) Psychological description--confession, monologue, memory, hope, fantasy C) creative description--figurative, abstract, realistic, non-realistic
Second, the stage space environment required for the performance of the plot
A) Performance of the space environment --
B) Performance of the time environment --
C) Seasonal environment performance --
D) Performance of other environments --
Third, grasp the stage atmosphere required for the performance of the plot
A) Brightness relationship - Brightness development / perspective / clear before, dark back / light contrast control / high-profile - emphasis / low key - significant effect B) color relationship - reality / decoration / saturation / color temperature / primary color contrast - color contrast C) time and space relationship - time color change / light area space change / perspective / distance sense D) view relationship - emotional communication / psychological resonance E) formal relationship - nature / exaggeration / abstract F) Aesthetic relationship--and the creation of performances and ambiguity; aesthetic standards and / performance effects / literacy G) subjective and objective relationship - the conception of subjective performance plots; objectively reproduce the spatial composition of the performance lighting H) primary and secondary relations - focus Characters and non-key characters, the effect of people and scenes - people and Jing Liang; emphasis on key points - weakening non-emphasis, local fulcrum - overall performance I) situational relationship - the same scene can produce different light effects of the light, to achieve There is love in the situation; there is scenery in the scene J) Creative vocabulary relationship - self-creative; closely related to the plot; continuous picture lighting effect
Fourth, technical support and implementation
A) Visual characteristics - phototaxis / adaptability / fatigue B) appropriate brightness - theater and auditorium size / appreciation distance / content scenario requirements / projection distance / projection area / power / efficacy utilization C) Combination of optical tools--utilization of lamp performance/multi-lamp arrangement/lamp combination sharing/fixed-point light/single lamp/effect device application D) lighting effect--projection angle-projection direction/light zone combination connection / Concealed mode of the luminaire - Exposure mode E) Control and operation - Dimming - Change voltage / Match with plots Spatio-temporal conversion / change timing - Lines - Body shape - Tunes - Sound effects / Programming, operation, management
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